Will Smith - Girls Ain't Nothing But Trouble (Remix) lyrics

Listen homeboys don't mean to bust your bubble
but girls of the world ain't nothing but trouble
so next time a girl gives you the play
just remember my rhyme and get the hell away

Just last week when I was walking down the street
I observed this lovely lady that I wanted to meet
I walked up to her I said hello
she said you're kind of cute I said yes I know
but by the way sweetheart what's your name
she said my friends like to call me exotic Elaine
I said my name is the Prince and she said why
I said well I don't know I'm just a hell of a guy
but enough about me yo let's talk about you
and all the wonderful things that you and I can do
I popped some cash and in a little bit of time
I showed some cash and the girl was mine
I took her over town I wined her and dined her
she ask me did I like her I said well kinda
all of a sudden she jumped out her seat
snatched me up by my wrist and took me out to the street
she started grabbin all over me kissing and hugging
so I shoved her away I said you better stop buggin
she got mad looked me dead in my face
threw her hands in the air and yelled out rape
I got scared when she started to yell
so I handed her my wallet and ran like hell
I was duckin through alleys right and left
but when the cops caught up they almost beat me to death
I was arrested charged with agrivated assault
(yo Clancy we got him)
but it wasn't my fault
nevertheless don't mean to bust your bubble
but girls of the world ain't nothing but trouble
so next time a girl gives you the play
just remember my rhyme and get the hell away

I was in a bar one Friday night
cooling watching a Mike Tyson fight
I was maxin and relaxin sippin on Tequilla
when this girl walked up she said hi my name is Sheila
I responded by saying hello
she paid for my drink and then said let's go
20 minutes later things were starting to cook
as we pulled up into her house I said I'm with you toots
the music was soft and there was wine in the glasses
she started winking and making little passes
at me she pat me close that's when she got bold
she started feeling up my back I said oh your hands are cold
we went to her bedroom thinking of one thing
took the phone off the hook to avoid the annoying ring
I carresed her body and I kissed her cheek
and that's when I observed those satin bed sheets
I felt that it was time for me to make my move
I thought I better hurry up before I busted a groove
I leaned down to kiss her but then out of the blue
a door slammed and a voice said baby where are you
her boyfriend busted in he grinned an evil grin
and said boy I'm a tear your butt limb from limb
I was scared as hell where I was supposed to go
I just yelled geronimo and jumped out the window
just my luck we were in a snow storm
and all I had was my underwear on to keep my warm
and to top the night off I had to break in my place
because my keys were on pants back on Sheila's book case
I was done sneezing and coughing
I hope this doesn't happen to often
but nevertheless don't mean to bust your bubble
but girls of the world ain't nothing but trouble
so next time a girl gives you the play
just remember my rhymes and get the hell away

Jazzy: yo man you think they see your point
Prince: I don't know I don't think they really do
Jazzy: I think you should give 'em another example
Prince: awright give me a scratch let's make it funky right here

I got a ring on my phone May 5th last year
it was my girlfriend Betty I said hello dear
I was just about to call you I got a couple tickets to the Run DMC concert
(I'm wit it)
It's six o'clock now at eight will you be ready
(yeah)
aight fine see you then Betty
I combed my hair washed and brushed my teeth
got funky fresh dressed in my la cox ????
got to Betty's at eight I was ready to jet
until Betty's mon said Betty's not ready yet
I sat there for at least an hour
it was ten after nine before she got in the shower
9:35 she comes downstairs
and said I need a little longer to finish my hair
at ten o'clock we had then missed the show
she comes downstairs and says let's go
go where go to sleep I'm gone
I was steamin like a demon as I drove home
but it just goes to show
not trying to bust your bubble
but girls of the world ain't nothing but trouble
so next time a girl gives you the play
just remember my rhyme just remember my rhymes
take heed to my rhymes and get the hell away

Jazzy:
man first your parents just don't understand
then you having these crazy nightmares
Prince:
I know why me man why me
Jazzy: what's next
Prince: now these girls man you know how it is
can't live wit 'em can't live wit'out 'em

Will Smith

WILL SMITH earned the nickname "Prince" from his grade-

school teachers because this smooth-talking tyke from West Philadelphia was more charming than any monarch's son. Smith completed his nom de rap by tacking on "fresh" (a popular hip-hop adjective of the mid-eighties), and the Fresh Prince tapped his considerable charisma to become a Grammy-winning musician, the star of a long-running sitcom, and—returning to his birth name—a big-screen action hero.

A born entertainer, Smith started rapping at the age of twelve and shortly thereafter teamed up with Jeff Townes, who, as Jazzy Jeff, became the Fresh Prince's musical partner. Eight years later, the duo had produced two platinum albums, including the Grammy-winning He's the DJ, I'm the Rapper. It featured the crossover hit single "Parents Just Don't Understand" and scads of clever, gangsta-free lyrics that elicited knowing chuckles from middle-American teenagers. With musical success achieved, Smith expressed a desire to try acting to several business associates, including Warner Bros. executive Bunny Medina. It turned out that Medina, who was born poor in Los Angeles but lived as a teen with a rich Beverly Hills family, had been unsuccessfully pitching a sitcom based on his demographically diverse life. Smith would be perfect, Medina figured, as the protagonist in this fish-out-of-water-tale—a modern Beverly Hillbillies. According to Hollywood legend, Smith read the script for NBC's suits with such Tlan that they bought the concept on the spot. Fresh Prince of Bel Air premiered in 1990, and with its well-timed quips and pratfalls from Smith, the successful show stayed on the air for six years.

Despite his homeboy swagger, Smith himself grew up middle class (his father is an engineer; his mother works for the school board) and did so well in school that M.I.T. offered him a scholarship, which he refused in order to pursue a show-business career. A millionaire by age eighteen, Smith was nonetheless deeply indebted to the I.R.S. when he landed the sitcom. Produced by Quincy Jones, the series' success enabled Smith to not only remedy his I.O.U.s, but also establish a well-connected professional family, which includes much of Hollywood's African-American royalty: Jones, Bill Cosby, Whoopi Goldberg, Sidney Poitier, and Denzel Washington. In fact, it was Washington who counselled Smith on how to proceed with his first starring movie role, as a young gay con man in Six Degrees of Separation (1993). Although it was scripted that his character would kiss another man, Smith was reluctant. He sought counsel from Washington, whose advice boiled down to, "Don't be kissing no man." Smith informed the furious director, Fred Schepsi, that the homosexual smooch would have to be faked. When the movie opened, the controversy was smoothed over by critical praise for Smith's performance.

For his follow-up flick, Smith teamed with fellow sitcom star Martin Lawrence in the action-heavy, gay-kiss-free Bad Boys (1995). The buddy movie was a smash, Smith's asking price rose to $5 million per film, and offers poured in. He opted to play a heroic fighter pilot in the surefire blockbuster Independence Day (1996). Sadly, as the actor's stardom was growing, his three-year-old marriage to Sheree Zampino was falling apart. The couple divorced in December 1995, and Smith relinquished primary custody of their son William C. "Trey" Smith III.

Smith returned simultaneously to rapping and the sci-fi genre with the 1997 summer blockbuster Men in Black. The success of the "Men in Black" single seemed to inspire Smith: after wrapping the film, he ducked into the studio and laid down tracks for a new album. Big Willie Style, his first album in four years, not to mention his first without DJ Jazzy Jeff, landed on record store shelves in November 1997. The album features the popular song "Gettin' Jiggy Wit It," as well as "Just the Two of Us," an ode to son Trey.

On New Year's Eve 1997, Smith wed Nutty Professor star Jada Pinkett, with whom he has been romantically linked since 1995. In July 1998, two celebrated the arrival of son Jaden Christopher Syre Smith.

The actor-singer's popularity soared to new heights when he and his wife were the subjects of a Barbara Walters interview following the 1998 Academy Awards. In the course of the interview, Smith revealed his own paranoia about the government, endearing him to conspiracy theorists around the nation. Later that same year, Smith won the Best Rap Solo Performance Grammy for the Men in Black soundtrack. His solo album fared well on the award front, as well. He took home top honors in two categories at the September 1998 MTV Music Video Awards: Best Male Video for "Just the Two of Us" (which he accepted while carrying son Trey) and Best Rap Video for "Gettin' Jiggy Wit It."

In November Smith starred in the thriller Enemy of the State co-starring Gene Hackman. Next up for him is another collaboration with Barry Sonnenfeld (who directed Men in Black), a western titled Wild, Wild West slated to hit the big screen in July 1999.

January 1999's American Music Awards saw Smith scoop up trophies for three of the four categories he was nominated in: favorite male artist, favorite album, and favorite male soul/R&B artist, losing only in the favorite male pop/rock artist category to Eric Clapton. In February he'll once again contend for the Best Rap Solo Performance Grammy.

Lyrics
Girls Ain't Nothing But Trouble (Remix)


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